Lighting

OLUCE Alba Pendant Two Arms - The concept of Alba starts with a very simple element: the designer’s imagination was inspired by a drop of water. The Alba pendant has a cable that supports a metal structure with a satin brass finish, with two offset arms, under which light shines from the opaline drops.

OLUCE Alba Pendant One Arm - The concept of Alba starts with a very simple element: the designer’s imagination was inspired by a drop of water – which she puts to use in different ways, depending on the model. References to the world of nature, with soft shapes contrasted with square lines, together with the use of a satin brass finish, combine to create Alba, a pendant lamp with a strong visual impact.

OLUCE Alba Pendant - The concept of Alba starts with a very simple element: the designer’s imagination was inspired by a drop of water – which she puts to use in different ways, depending on the model. References to the world of nature, with soft shapes contrasted with square lines, together with the use of a satin brass finish, combine to create Alba, a pendant lamp with a strong visual impact.

OLUCE Alba Wall Light One Arm - The concept of Alba starts with a very simple element: the designer’s imagination was inspired by a drop of water – which she puts to use in different ways, depending on the model. References to the world of nature, with soft shapes contrasted with square lines, together with the use of a satin brass finish, combine to create Alba, a wall lamp with a strong visual impact.

OLUCE Alba Wall Light - The concept of Alba starts with a very simple element: the designer’s imagination was inspired by a drop of water – which she puts to use in different ways, depending on the model. References to the world of nature, with soft shapes contrasted with square lines, together with the use of a satin brass finish, combine to create Alba, a family with a strong visual impact.

OLUCE 1953 Floor Lamp - The lamp 1953 designed, by Ostuni e Forti, has two models, floor and table, varying in proportion and size but identical in their design which shifts the whole lampshade section from the centre to the side. A range that elegantly recalls the style of those years, such as the use of a shade in the classic cylindrical shape and the fine contrast of the satin gold – stem and shade’s interior – against the black – the exterior of the shade, the base and the stem grip.