Living

The Cairn Pouf joins MENU’s collection of elegant interior accessories this season. Created by Nick Ross to complement the Tearoom and Eave sofa collections, the versatile design is functional, flexible and fine-looking, effortlessly fitting any interior setting. Lending itself to use as a footrest, side table or extra seat, its gently tapered form creates an elegant silhouette. Offered in two forms, oval and round, and a range of upholstery options from MENU’s wide range of textiles and leathers, it can be customized to match every style and space.

Dalya is an armchair that gently integrates in hospitality spaces, yet also adapts to domestic living rooms and bedrooms. It is not a conventional armchair. Dalia distinguishes itself for generous, playful proportions; the volume of the seat is deliberately oversized to guarantee extreme comfort, while playing with the curved backrest.

AUDO COPENHAGEN (formerly known as Menu) Plinth Cubic - Over centuries, the plinth has been a much mused-over object. With this project Danish studio Norm Architects set out to rethink the uses of the plinth and to reveal the natural beauty of marble. The result is a series of podiums with multiple uses in the home, office or showroom. .

Dalya is an armchair that gently integrates in hospitality spaces, yet also adapts to domestic living rooms and bedrooms. It is not a conventional armchair. Dalia distinguishes itself for generous, playful proportions; the volume of the seat is deliberately oversized to guarantee extreme comfort, while playing with the curved backrest.

A beautiful and practical furniture design that makes clever use of craftsmanship and tactile materials, the simple silhouette of the Androgyne Side Table is characterised by opposites. The pure use of materials contrasts with a refined silhouette of solid and soft lines, living up to its name thanks to its combination of masculine and feminine characteristics

The Popsi lounge chair combines bold design with sophisticated materials, specifically metal and hide. The base features delicately criss-crossed rods which follow a complex design to produce a sleek metal web. From the four corners of the feet, groups of two or three rods spring upwards, turning multiple acute angles before joining up with the four corners of the shell of the large tub chair, which is covered with hide. The curved lines are emphasised by precise decorative stitching, which speaks about Lema’s sartorial approach.