Table Lamps

The Stem 1X Table Light is a minimal design featuring a single lit sphere of handblown Czech glass on a brass stem and base.

A large dome of handblown Czech glass with a frosted finish rests atop a custom base made of vertical solid brass plates. A brass ring fits onto the base as a seat for the glass dome. Imposing in size, it can work on large furniture, or the floor, depending on the decor. While large, the softness of the frosted glass and minimal presence of the base make it approachable and compelling.

A practical solution to the increasingly blurred boundaries between work and home, the portable Caret reimagines the linear silhouettes of the classic, green-shaded designs – known as 'bankers lamps' – found in historic libraries. Made entirely from lacquered steel, the design features a rounded base and a long, pyramid-shaped top that emits a soft, diffused light.

OLUCE Atollo Opal Table Lamp - Designed in 1977 by Vico Magistretti, over the years, Atollo has become the archetype of the table lamp, winning the Compasso d’Oro in 1979 and completely revolutionising the way we imagine the classic bedside lamp. The geometric shapes that compose it – cylinder, cone and hemisphere – have resulted in a product that is decorative and essential at the same time, disconnected from the historical period and the fashions of the moment, and one that has now fully become one of the icons of Italian design

OLUCE Atollo Metal Table Lamp - Designed in 1977 by Vico Magistretti, over the years, Atollo has become the archetype of the table lamp, winning the Compasso d’Oro in 1979 and completely revolutionising the way we imagine the classic bedside lamp. The geometric shapes that compose it – cylinder, cone and hemisphere – have resulted in a product that is decorative and essential at the same time, disconnected from the historical period and the fashions of the moment, and one that has now fully become one of the icons of Italian design

OLUCE Atollo Metal Table Lamp - Designed in 1977 by Vico Magistretti, over the years, Atollo has become the archetype of the table lamp, winning the Compasso d’Oro in 1979 and completely revolutionising the way we imagine the classic bedside lamp. The geometric shapes that compose it – cylinder, cone and hemisphere – have resulted in a product that is decorative and essential at the same time, disconnected from the historical period and the fashions of the moment, and one that has now fully become one of the icons of Italian design